• Joep Beving


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Niklas Magedanz


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Joep Beving, a sensa.on of the contemporary classical streaming world, returns to his solo piano roots with Herme%sm. The Dutch composer/pianist’s fourth album for Deutsche Grammophon will be released globally on 8 April 2022. Inspired by ancient philosophy, Beving’s latest project is an album in search of universal ideas. “I hope that it will have a comfor.ng and communal effect on listeners,” says the ar.st. WriFen during the dark days of the pandemic, in an age of fear and polarisa.on, Herme%sm blends poignant melancholy with an offer of hope, spanning twelve new tracks recorded on Beving’s cherished Schimmel piano.Beving has used music to explore some of life’s big philosophical ques.ons in three hugely successful albums – Solipsism, Prehension and Henosis. AMer his trilogy for Deutsche Grammophon, he was leMwith a ques.on: what next? The answer eluded him at first, so he turned to composing for a Dutch film and stage play. Yet ideas that had been brewing for years began to take shape. “I came back to the piano to feel at home and in tune with myself and my surroundings,” notes Beving. “I wanted to go by what felt right, which was to go back to the beginning, to solo piano songs, but using everything I had learned during the making of the trilogy.”
For his latest project, he draws on HermeJsm, a spiritual philosophy which stems from ancient wri.ngs aFributed to the legendary Greek author Hermes Trismegistus. At its core are seven universal laws of nature, passed down through the centuries and later compiled in The Kybalion, a text that has influenced New Age theories in more recent .mes. These concepts – such as the principle of cause and effect and the principle of rhythm – are all about finding a con.nuous balance in life and existence. “The teachings around these principles feel so truthful to me and I hope they will inspire others,” says Beving. Much of the music on Herme%sm is shaped by his readings on these ideas. The poignant “Last Dance”, for example, picks up on the principle of rhythm: what goes up must come down. “The music has a spiralling, circling nature. It’s as if something is falling and then it gets picked up again, and it could go on like that forever. That image really fits within the concept of Herme.sm,” reflects Beving. “I got drawn back to this music almost like a mantra.” Another stand-out is the yearning, Middle Eastern- inspired “Dervish”. “I have a fascina.on for the life and works of George Gurdjieffthat I believe has influenced my thinking and also my music to a certain extent. It became more prominent in the wri.ng of this piece.” The contempla.ve “Nocturnal” is set to be the first single to be shared with the world.In a rare move for Beving, he also had in mind a par.cular place when he was wri.ng Herme%sm. “I had a roman.c idea of a past .me where someone in Paris would be dedica.ng their life to the quest for beauty,” he says. “You walk the streets, and there’s an open window with someone playing the piano inside. I had that in mind but overshadowed by dark skies. Some terrible things have happened in Paris in the past few years. I took Paris as a metaphor for Western civilisa.on.” From the absinthe-inspired opening track “La fée verte” to “Paris s’enflamme”, named aMer a song by Ladyhawke, nods to the French capital infuse the album.AMer self-releasing his debut album Solipsism in 2015, Beving became a viral streaming sensa.on. His music has since been streamed over half a billion .mes, and he has performed sold-out shows around the globe. Ul.mately, he hopes that Herme%sm will resonate on a deep level with his listeners. “In all the madness of recent .mes, this album has been the thing I’ve kept coming back to,” he explains. “In that sense Herme%sm has been my own medicine for the pandemic.”